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Posts Tagged ‘Healers’

Overtone Singing

On the 12th January 2018, Svaram Campus gave a presentation at the Tibetan Pavillion on the mathematics of harmonic science and the connections with nature. Then they gave a demonstration of overtone singing with some accompaniment, which is what we are sharing here. It was a beautiful vibration and they said that there will be a possibility of a workshop this coming week where we can learn this healing technique, overtone singing.

Happiness Is

Overtone singing – also known as overtone chanting, harmonic singing or throat singing – is a type of singing in which the singer manipulates the resonances (or formants) created as air travels from the lungs, past the vocal folds, and out of the lips to produce a melody.
Each note is like a rainbow of sound. When you shoot a light beam through a prism, you get a rainbow. You think of a rainbow of sounds when you sing one note. If you can use your throat as a prism, you can expose the rainbow – through positioning the throat in a certain physical way, which will reveal the harmonic series note by note
Tibetan Buddhist chanting is a subgenre of throat singing, mainly practiced by monks of Tibet,Most often the chants hold to the lower pitches possible in throat singing. Various ceremonies and prayers call for throat singing in Tibetan Buddhism, often with more than one monk chanting at a time.

tracklist
Tibetan Chant – Heart Sutra
Big Om of Tibet – Monks chanting Om – Dalai Lama – Buddha
Om Mani Padme Hum (Throat singing)
Medicine Buddha Mantra
Lama Gyurme – Hope for Enlightenment
Guru Rinpoche – Padmasambhava Mantra
Gelug monks – Tibetan throat singing
Tibetan Sacred Temple Music
Tibetan Flute Music – Longing Eagle
Yungchen Lhamo – Peace of Mind
Yungchen Lhamo – Happiness Is

Interview with Ayumi & Bhrigu

Interview with Artists “Ayumi & Bhrigu” who had performed in CRIPA on Dec 26th 2017. They speak about their background, musical journeys, experience in auroville and message to other artists. Enjoy and wish you all a happy new year

Druzia Laney

Friend’s Lanye istoriya ob Edinstve zivotnix i ludeye , blagodarya Lubvi i Krasote.

Avtor Noel Parent,
Text ozvuchen Alena-Amrita Demidenko

Sacred Message from Colombia

Last night at Bhumika Hall, Bharat Nivas was a special screening of short films: : “A Sacred Message from Colbian Indigenous Tribe””, presented by German Zuluaga from Colombia in Spanish with translation by Stella Rodriguez . Mr.German Zuluaga, visiting guest, has started a Multicultural Community in Sierra Nevada 5 years ago in an abandoned settlement. He started exchanging products and services with the Koggies from a village 5 km away. He wanted to help them to keep their Sacred way of living ,and unexpectedly he has found his own spiritual path.
After the presentation, and screening was a session of questions and answers.
Numerous audience was united in the thought, that that special tribe, which live exclusively spritual life, should be preserved, and kept in peace for the benefit of the future of whole planet.

Ut queant laxis Resonare fibris

Another edition of healing frequencies, and we are going back to ancient solfeggio scale by featuring tracks from Gregorian chants, along with orgianl ut, re mi…and other sacred music.
The origin of the ancient Solfeggio scale can be traced back to a Medieval hymn to John the Baptist, and the original frequencies were capable of spiritually inspiring mankind to be more “god-kind”.
The original Solfeggio scale was developed by a Benedictine monk, Guido d’Arezzo (c. 991 AD – c. 1050 AD). It was used by singers to learn chants and songs more easily. Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis, written by Paulus Diaconus.
Guido d’Arezzo
The secret meanings of the ancient syllables
Each tone has its own unique potential
As you already know, the syllables used to denote the tones are: Ut, Re, Mi Fa, Sol, La. They were taken from the first stanza of the hymn to St. John the Baptist:
Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes
Literal translation from Latin: “In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) polluted lip. Saint John.”
In other words, so people could live together in peace and communicate in harmony about the miracle in their lives, and how God blessed them to produce this “magic”, people’s true unpolluted spiritual natures required revelation. The above text seems to suggest that Solfeggio notes open up a channel of communication with the Divine.

285 Hz

285 Hz
This frequency helps return tissue into its original form. 285 Hz influences energy fields, sending them a message to restructure damaged organs. It also leaves your body rejuvenated and energized.
Solfeggio scale and the additional tones
As you already know, the original Solfeggio scale has 6 tones. The tones are: 396, 417, 528, 639, 741 & 852. Following the pattern established by these original tones, additional frequencies can be calculated. There are three frequencies which can be calculated below the 396 before breaking the pattern (63, 174, 285) and there are infinite frequencies that can be calculated above the 852. See below:
63
174 – reduce pain
285 – influence energy fields
396 – turn grief into joy
417 – facilitate change
528 – transformation & miracles
639 – reconnecting, relationships
741 – expressions/solutions
852 – return to spiritual order
963 – awaken perfect state
1074
1185
1296
1317
etc.
All these additional frequencies reduce to a 3, 6, or 9, but does it mean that we should use them just like the main tones from the Solfeggio scale? To be honest, I would recommend focusing on the 9 Solfeggio tones. The 6 main and the 3 additional tones (174, 285, 936) hold an infinite array of healing properties. They have been well researched and many people experience their benefits every day.

174Hz

The lowest of the tones appears to be a natural anaesthetic. It tends to reduce pain physically and energetically. 174 Hz frequency gives your organs a sense of security, safety and love, encouraging them to do their best.

SI – 963 Hz

This tone awakens any system to its original, perfect state. It is connected with the Light and all-embracing Spirit, and enables direct experience, the return to Oneness. This frequency re-connects you with the Spirit, or the non-vibrational energies of the spiritual world. It will enable you to experience Oneness – our true nature.


“You are a digital,
bioholographic, precipitation, crystallization, miraculous manifestation, of Divine frequency vibrations, forming harmonically in hydro-space.”
Dr. Leonard Horowitz, author, investigator and speaker

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