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Posts Tagged ‘Higher Education’

Sunday Blues

For an easy Sunday morning we offer you blues, with dash of soul….
Featuring Muddy Watters, Gary B.B. Coleman, Bill Whiters, among many others.
tracklist
Langa Mavuso – Sunday Blues
Gary B.B. Coleman – The Sky is Crying
Ry Cooder, Terry Evans – Down In Mississippi
Sam Smith – Too Good At Goodbyes
Little Walter – My Babe
Mighty Sam McClain – When The Hurt Is Over
Muddy Waters – Champagne & Reefer
Cee Cee James – Done Love Wrong
ZZ Hill – Cheatin’ in the Next Room
Shirley Murdock – As We Lay
Bill Withers – Lean On Me
Pokey , – My Sidepiece
Elvis Presley – Always On My Mind
Freddy Cole – This Time I’m Gone for Good
JT Coldfire – She’s Crazy
Whitney Houston – I Have Nothing
Donnie Ray – Rock Me Baby
Ben E King – Stand By Me

Ut queant laxis Resonare fibris

Another edition of healing frequencies, and we are going back to ancient solfeggio scale by featuring tracks from Gregorian chants, along with orgianl ut, re mi…and other sacred music.
The origin of the ancient Solfeggio scale can be traced back to a Medieval hymn to John the Baptist, and the original frequencies were capable of spiritually inspiring mankind to be more “god-kind”.
The original Solfeggio scale was developed by a Benedictine monk, Guido d’Arezzo (c. 991 AD – c. 1050 AD). It was used by singers to learn chants and songs more easily. Today we know the Solfeggio scale as seven ascending notes assigned to the syllables Do-Re-Mi-Fa-So-La-Ti. The original scale was six ascending notes assigned to Ut-Re-Mi-Fa-Sol-La. The syllables for the scale were taken from a hymn to St. John the Baptist, Ut Queant Laxis, written by Paulus Diaconus.
Guido d’Arezzo
The secret meanings of the ancient syllables
Each tone has its own unique potential
As you already know, the syllables used to denote the tones are: Ut, Re, Mi Fa, Sol, La. They were taken from the first stanza of the hymn to St. John the Baptist:
Ut queant laxis Resonare fibris
Mira gestorum Famuli tuorum
Solve polluti Labii reatum
Sancte Iohannes
Literal translation from Latin: “In order that the slaves might resonate (resound) the miracles (wonders) of your creations with loosened (expanded) vocal chords. Wash the guilt from (our) polluted lip. Saint John.”
In other words, so people could live together in peace and communicate in harmony about the miracle in their lives, and how God blessed them to produce this “magic”, people’s true unpolluted spiritual natures required revelation. The above text seems to suggest that Solfeggio notes open up a channel of communication with the Divine.

King Lear

In the high spirited , intimate space of Adishakti Theatre, classical William Shakepseare’s play King Lear is set on stage.
Auroville Theatre group presents King Lear by amazing act of home based actors, along with visiting actors and actresses. Tragedy follows the original language but is set in current time, thus giving actors a freedom to express their characters by their visions. Hard, demanding roles, lengthy time wise has shown the dedication, maturity, and brilliance of the actors.

Classical Shakespeare’s tragedy depicts the gradual descent into madness of the title character, after he disposes of his kingdom giving bequests to two of his three daughters based on their flattery of him, bringing tragic consequences for all. Derived from the legend of Leir of Britain, a mythologicalpre-Roman Celtic king,

Due to the restoration work of Bharat Nivas Sri Aurobinod amphitheater, Auroville Theatre Group decided to stage the play at the Adishakti Theatre, Adishakti Laboratory for Theatre, Arts & Research on Edayanchavady Road. Adishakti Theatre with its funder Veenapani Chavla, who was deeply connected to Sri Aurobindo Ashram and Auroville. It is a fascinating place, with utmost respect to vernacular architecture, with reverence towards well being of humans, and nature , yet dedicated and focused in fields of performing arts.

Selections par Gangalakshmi 235

Une serie hebdomadaire de lectures par Gangalakshmi (en Francais) de selection d oeuvres sur ou de la Mere et Sri Aurobindo, qui lui semble La Manifestation Supramentale.
A weekly series of readings by Gangalakshmi (in French) from selected works by or on the Mother and Sri Aurobindo.
This week Sri Aurobindo’s Savitri: Livres VI, Chant I – Le Mot du Destin

On the special request from listeners this edition is un cut!!!

Synthesis of Yoga

On page 374, Chapter XI The Modes of the Self, in Part 2 The Yoga of Integral Knowledge Sri Aurobindo begins by explaining ” … To know the highest Truth and to be in harmony with it is the condition of right being, to express it in all that we are, experience and do is the condition of right living. But rightly to know and express the Highest is not easy for man the mental being because the highest Truth (and therefore the highest modes of existence) are supramental.”

“It is necessarily through the individual Self that we must arrive at the One, for that is the basis of all our experience.”

Then next reading will conclude this chapter.

Love You Die

Sweet mix of Afrobeat songs, mostly from East Afrika, with its particular beats of Rhumba, Lingala, Zilipendwa…..

tracklist
Diamond Platnumz – Hallelujah
Rich Mavoko – Rudi (feat. Patoranking)
Jux – Juu
Harmonize – Sina
Aslay – Angekuona
Aslay – Natamba
Saida Karoli – Orugambo
Lameck Ditto – Moyo Sukuma Damu
Harmonize, Rich Mavoko – Show Me
Nandy – Wasikudanganye
Rich Mavoko – Sheri (feat. Fid Q)
Darassa – Hasara Roho
Harmonize – Niambie
Lava Lava – Dede
Patoranking – Love You Die
Ben Pol – Phone (feat. Mr Eazi)
Diamond Platnumz – Eneka
Lava Lava – Tuachane
Rayvanny – Mbeleko
Rayvanny – Unaibiwa
Harmonize – Shulala (feat. Korede Bello)
Rayvanny – Zezeta
Diamond Platnumz – I Miss You
Diamond Platnumz – Marry You
Diamond Platnumz – Zilipendwa (feat. Harmonize, Rich Mavoko & Rayvanny)

Selections par Gangalakshmi 234

Une serie hebdomadaire de lectures par Gangalakshmi (en Francais) de selection d oeuvres sur ou de la Mere et Sri Aurobindo, qui lui semble La Manifestation Supramentale.
A weekly series of readings by Gangalakshmi (in French) from selected works by or on the Mother and Sri Aurobindo.
This week Sri Aurobindo’s Savitri: Livres X, Chant IV – Le demi-jour reveur du Reel Terrestre

On the special request from listeners this edition is un cut!!!

Jazz, Jazz, Jazz #12

Coninuing with jazz classics. ….. traveling back in time, on different continents…
tracklist
Tito Puente – Cha Cha Cha
Ahmad Jamal – Blue Moon
Glenn Miller – Moonlight Serenade
Bud Shank Quartet – Carioca
Larry Young – The Moontrane
Bobby Hutcherson – Tranquillity
Grant Green – A day in the life
Thelonious Monk – In Walked Bud
John Coltrane – Spiritual
Kenny Dorham Quartet – Lotus Blossom
Benny Goodman – Amapola
Charlie Parker and Dizzy Gillespie – Bloomdido
Ella Fitzgerald – How High The Moon
Count Basie – April in Paris
Miles Davis – Love for Sale
Mongo Santamaria – Cloud Nine
Benny Goodman And His Orchestra – King Porter Stomp
Sonny Rollins – SonnyMoon For Two
Groovin High – Charlie Parker, Dizzy Gillespie

Soca – Nah Leaving

Before the year 2017 say farewell we feature Barbados Soca 2017. Crop Over with Soca festival has always been a big thing for the islands, and Barbados is no exception. Many come to the island just for that occasion, to jump on Kadooment Day on the beats of fresh songs of that year Soca festival. And songs are humorous, witty socially and politically engaged …since all the artist compete who might come up with the smartest one, on the best soca beat.

tracklist:
Rhea ft Coopa Dan – Bare Trouble
Hypasounds – Dip
Marzville – Give It To Ya
Stiffy – Tip and Ben Ova
Lil Rick – All Kinda Girls
Snap Brandy – Bend Ova& Ride
Hardware – Pop Down
Lil Rick – Blessings
Red Palstic Bag- Boat Ride
Lead Pipe & Saddis – Early Bird
Scrilla -Wood
Lil Rick – energy
Peter Ram – Upside Down
Mistah Dale – Soca Famaleez
Stiffy – Mavis
Ray Dainja – Bout Dese Juks
Saffiyah – Tun Up
King Bubba FM – No Sober
Grynner ft Rasiley Kind O’ De Stage King O’ De road
Lil Rick & Kernal Roberts – Soca Refuges
Ramases – AWOL
Aidan – Life Nice
Alison Hinds – Single
King Bubba FM & Lil Rick – Soca Made Me Do It
Snypa – Iz Fete
Lil Rick & Peter Ram – Let’s Go Tridents
Maloneyy – Killy Killy
Hypasounds – Liquor
Aidonia – Boom
Speed – Wiggle
Stabby – Wukkist
Peter Ram – Memroy
Statement – Nah leaving

285 Hz

285 Hz
This frequency helps return tissue into its original form. 285 Hz influences energy fields, sending them a message to restructure damaged organs. It also leaves your body rejuvenated and energized.
Solfeggio scale and the additional tones
As you already know, the original Solfeggio scale has 6 tones. The tones are: 396, 417, 528, 639, 741 & 852. Following the pattern established by these original tones, additional frequencies can be calculated. There are three frequencies which can be calculated below the 396 before breaking the pattern (63, 174, 285) and there are infinite frequencies that can be calculated above the 852. See below:
63
174 – reduce pain
285 – influence energy fields
396 – turn grief into joy
417 – facilitate change
528 – transformation & miracles
639 – reconnecting, relationships
741 – expressions/solutions
852 – return to spiritual order
963 – awaken perfect state
1074
1185
1296
1317
etc.
All these additional frequencies reduce to a 3, 6, or 9, but does it mean that we should use them just like the main tones from the Solfeggio scale? To be honest, I would recommend focusing on the 9 Solfeggio tones. The 6 main and the 3 additional tones (174, 285, 936) hold an infinite array of healing properties. They have been well researched and many people experience their benefits every day.

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